Paralucent Stencil
Paralucent Stencil Extra Light
Paralucent Stencil Medium
Paralucent Stencil Heavy
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Quisque tortor dui, elementum vel tincidunt et, bibendum vitae urna. Proin justo lectus, accumsan vitae velit et, bibendum posuere quam. Vivamus sollicitudin, interdum urna nec, consectetur neque.
Paralucent Stencil Extra Light
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Quisque tortor dui, elementum vel tincidunt et, bibendum vitae urna. Proin justo lectus, accumsan vitae velit et, bibendum posuere quam. Vivamus sollicitudin, interdum urna nec, consectetur neque.
Paralucent Stencil Medium
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Quisque tortor dui, elementum vel tincidunt et, bibendum vitae urna. Proin justo lectus, accumsan vitae velit et, bibendum posuere quam. Vivamus sollicitudin, interdum urna nec, consectetur neque.
Paralucent Stencil Heavy
About
The stencil form of Paralucent. Paralucent is versatile all-purpose modern sans, available in seven weights from Thin to Heavy, and in two widths, each with corresponding italics. Paralucent avoids some of the calligraphic quirks of Akzidenz or Helvetica and the cool precision of Univers to deliver an elegant, functional, yet warm design. There are two additions to the core 28-weight family: a three-weight stencil set, and a four weight text family. The text weights have been adjusted for use at small point sizes, and feature more open character shapes, looser inter-letter spacing for improved readability, and lining numerals for use in listings and tables. Prime attention has given to the negative space between characters, giving a more even “colour”, especially in text. For example, the J, L and T have shorter arms than comparable sans typefaces, while the M and W are wider. The A has a lower bar, opening up the interior counter. An unusually high lower-case x-height again helps to give a more even colour and improve legibility. Care has been taken to rationalise repeated elements like the tails on lower-case letters, or the Q and the “ear” of the g. ‘Ink traps’ are exaggerated incisions used to open up a letter's narrower internal angles, which can become clogged with ink, especially in small point sizes. Now largely redundant due to the high quality of modern print, they are still sometimes used as a stylistic quirk or design feature. Now that digital fonts are often reversed or outlined, or enlarged to enormous sizes, these can also lead to unexpected or obtrusive results. Paralucent takes these inevitable digital manipulations into account, and adds optical corrections without resort to ink traps. The family has been picked up by many UK and US publishers, featuring heavily in magazines like Loaded, Heat and TV Quick, as well as high-end coffee-table photography books and gallery websites.